Normally when paper is exposed and put into a normal developer, there are two stages : ![]() ![]() The key difference is what’s known as infectious development. Later it was found that other papers could give the same effect. When paper was still used for this purpose, photographers found that by using a very dilute solution of the developers for these papers, both the tonality and color would change, giving a wide variety of effects. Photograph by Lamar Graham, and remixed by me as a lith print on Foma 131.I’ve seen the Arista product used for reproducing circuit diagrams and is commonly used in making enlarged negatives (but for our purposes they’re not useful). Nowadays this use case has largely been phased out, though Arista still makes a modern(ish) day equivalent film, as does Ultrafine, and both are coated on a transparent base which gives extremely high contrast when developed in their preferred developers. Indeed, in much the same way its namesake was/is used in printmaking for mass reproductions, the earliest lith papers were also used in photographic reproduction. Short for “lithographic”, modern lith printing originated in methods used for graphic arts reproduction. ![]() A quick introduction to lithographic printing Through this article, I want to show the difficulties of the process and use as much of the underlying science to show how to deal with them. When I started lith printing I found that while there was a lot of theory online, it was difficult to translate that into practical information in the darkroom. In this article, I’ll be giving a simple how-to guide to lith printing based on my own experiences and research I’ve done into the process. Lith printing - EMULSIVE Close Search for:
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